Following the excitement of the two-and-a-half-year celebration of the fifth anniversary of the 2010 Beijing Art Festival, the “Private Collection of Modern Important Paintings from Overseas Major Collections” auction took place at 1:30 PM on the 6th. After hours of intense bidding, all pieces were sold at prices far exceeding expectations. Among them, Lot No. 1273, Zhang Daqian’s “The Condor Map,” started at 2.8 million yuan. After a dozen rounds of fierce competition between two major collectors, it eventually sold for an impressive 23.52 million yuan. One collector was still on the phone during the final bid, clearly thrilled with the outcome. Details of the collection: The inscription reads: "The residual galaxy is high in days of frost, and the sky is full of clouds. The fox rabbit whistles, Huo Ran hits nine. Everyone is making every effort to hide and hide. Grabbing according to Eyre Cao, slaves, knees and cheeks are not working. Take a look at God’s lord Fang Tianjun, and he is greedy and flamboyant. In order to make the East China Sea free from waves, we must keep it cool and clear. To Rouren brother and family are two. Jia Shen Chunri, Daqian Zhang and the title." Seal print: "Zhang Yin's private printing, 3,000 Daqian, Da Qian Hao Fa, Da Feng Tang engraved: Since the twentieth year, I served as a privileged magistrate, built and formed the Air Force, dismal business, and grand regulations. Since the Air Force is relying heavily on Diane to fight against enemy forces, I am airborne on the Brigade’s affiliation and I am fortunate enough to have fewer comrades. Really due to the influence of Heuhe Natura, it was established by the Aviation Committee and the tenth anniversary of the Air Force, which was presided over by the Chinese public. It also dedicated the Condor map, used boxing, and celebrated. To the princess. In the early summer of the 33rd, Wan Linlin, chief of the aviation special brigade, led all officers and soldiers." (Zhang Daqian) Remarks: This piece belongs to Xu Zhantang, a renowned Hong Kong collector known as one of the "Top Ten Chinese Cultural Relic Collectors in the World." Zhang Daqian may have seen and possessed more classical Chinese masterpieces than any modern Chinese painter. For instance, the famous collections of the Forbidden City National Palace Museum, including the “Han Xizai Night Banquet” and Dong Yuan’s “Xiaoxiang Chart,” were all collected by Zhang Daqian. Before his trip to Dunhuang in 1941–1943, he mainly studied traditional styles and visited many private collections. This period emphasized the mastery of ancient techniques. From 1943 onward, he entered a stage of developing his own unique style, blending ancient influences into his personal expression. As Zhang himself said, this was the stage of “dissolving the ancients and having me.” These two stages were seamlessly integrated, forming the foundation of his artistic career. This painting, “Impression of Beixian Xishan Shenxiu Map,” was created in 1946. That same year, Zhang Daqian acquired the masterpiece “Xiaoxiang Chart” by Dong Yuan in Shanghai. Xie Zhiliu, a well-known painter and appraiser, once praised Zhang Daqian’s work, saying that he had not only mastered Dong Yuan’s brushwork but also captured the spirit of Huang Heshan and Wang Meng. Although this piece is a fan-shaped sketch, it reflects Zhang Daqian’s refined brushwork. His works often reflect the essence of tradition while expressing his own vision. “The Condor Map” is a rare and unique piece in Zhang Daqian’s oeuvre. While eagles were not a common subject in his paintings, this work stands out for its bold composition and dynamic energy. The painting was gifted to Zhou Zhirou, the commander of the KMT Air Force, as a symbol of admiration and good wishes for aviation progress. At the time, Zhou Zhirou was a prominent figure in China’s air force, and Zhang Daqian sought to honor his contributions through this artwork. In this piece, Zhang Daqian captures the power and majesty of the eagle, reflecting his deep understanding of both form and spirit. The composition is balanced, elegant, and striking, reaching a level of artistic excellence where it feels like a true creation rather than a mere imitation. Zhang Daqian’s use of ink and brushwork is both bold and refined, showcasing his mastery of traditional techniques and his ability to innovate. Originally owned by Xu Zhantang, this painting is now recognized as a significant cultural treasure, highlighting Zhang Daqian’s enduring legacy in Chinese art. Its historical and artistic value makes it a remarkable piece in the world of Chinese painting.

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